80’s Cartoons and Restraining Orders

I’m laying on the couch recovering from a bout of cholera (it was actually the flu, but it sure felt like cholera there for a moment) and because I can’t sleep, can’t move, and can’t think I’m watching Jem and the Holograms. It’s a classic cartoon from the 80’s that revolves around the good girl rock band, Jem and the Holograms and the bad girl rock band, The Misfits. Jem and Holograms represent everything Mouskateers in Rock and Roll--good wholesome girl rockers who run a charity house for foster girls; their boyfriends sleep on the couch; they dress nice, have good manners, and make nice music. The Misfits on the other hand are more like the Sex Pistols--they engage in massive property destruction; dress in “alternative fashions;” and make mean music.

As I lay on the couch watching this classic entertainment I’m struck by two things: 1) how could I idolize Jem and the Holograms so much as a child and grow up so much like the Misfits? and 2) why didn’t Jem and the Holograms ever take out a restraining order on the Misfits?

Let’s consider #2 because that’s the more interesting point here. Consider this scenario: you and your new band perform in your first ever public appearance, a battle of the bands. After appearing and winning by a landslide a rival band STEALS your instruments, DESTROYS your instruments by throwing them out of a moving vehicle at you, and nearly RUNS YOU OFF A CLIFF in the process. So maybe you don’t press charges because that silly other band is just like that. But then, 1-2 days later after your house burns down and you perform again, the same rival band tails you, wrecks the house of a millionaire you’re attempting to court for a free mansion and NEARLY KILLS YOU AGAIN with runaway construction equipment.

At what point is one justified in taking out a restraining order?

Good girl band or not, when you’re life is literally in danger because of the antics of the other band is it not acceptable to say enough is enough?

And not that this is the only logistical problem with this show’s plotline; the daughter of a music company owner and her friends are fortunately rock band material over night (literally) and said daughter’s boyfriend is also (fortunately) band manager material. I suppose we could chalk all of that up to fate.

And, I just noticed something else while laying here in my sickbed, despite Jem’s role as a superstar mogul saintly type, she is also the consummate damsel in distress. She runs a foster house for girls and does the plumbing herself working side by side with her boyfriend Rio who does the electrical work. What a sharing partnership. Then, as Jerica becomes Jem and gains in popularity and power she is nearly run over by runaway construction equipment, thrown off a yacht at top speed, and burned to death in a freak soundstage equipment. Rio is thankfully there for each situation to save her, thereby solidifying his place as her man.

So does Rio not push Jerica to take out a restraining order because he has savior syndrome? Deep down inside he feels inadequate and he knows so long as the Misfits run free Jerica/Jem will constantly be in mortal danger? Perhaps I have found a solution to my quandary.

Perhaps the crux of Jem and the Holograms is that Jerica and Rio have an emotionally destructive relationship that manifests itself in her attempts to seduce him with her alter ego (Jem) and his refusal to urge her away from physically dangerous situations. I think we’re on to quite the psychoanalytic reading here.

And as an addendum: the bad guy named “Zipper” puts his mask on before robbing the casino while wearing a leather jacket with “Zipper” written in giant lettering across the back. Sneaky bad guys in this cartoon. Very sneaky.